By Jo Nesbø
Internationally acclaimed crime author Jo Nesbø’s antihero police investigator, Harry gap, is again: in a bone-chilling mystery that would take gap to the edge of madness.
Oslo in November. the 1st snow of the season has fallen. A boy named Jonas wakes within the evening to discover his mom long gone. Out his window, within the chilly moonlight, he sees the snowman that inexplicably seemed within the backyard prior within the day. round its neck is his mother’s red shawl.
Hole suspects a hyperlink among a menacing letter he’s bought and the disappearance of Jonas’s mother—and of might be a dozen different ladies, all of whom went lacking at the day of a primary snowstorm. As his research deepens, whatever else emerges: he's changing into a pawn in an more and more terrifying online game whose ideas are devised—and continuously revised—by the killer.
Fiercely suspenseful, its characters brilliantly learned, its surroundings permeated with evil, The Snowman is the electrifying paintings of 1 of the easiest crime writers of our time.
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Extra resources for Snowman (UK Edition)
Is is the person who lived with his wife but whose series of conscious memories halted soon a er the assault. Leonard 2a su ers a kind of death when his entire set of memories is infected, is fused with that of another person. In point of fact, there is no way to ascertain the details of this fusion, either from the inside or from the outside, or to decide which of his present memories are true and which false. But this is not really death, for some person seems to survive. Leonard 2b comes into being at this point.
In other words, memories seem to be united in a series only because most of them really happened to the same person. 6 But, given this possibility, it is more plausible to say that personal identity is constituted by the “thinking substance” (a mind or soul) and is not a matter of conscious memories at all. is objection too is less than decisive. Derek Parﬁt, a contemporary philosopher, notes that it assumes that the conscious memories in any series really did happen to the same person. 7 If conscious memories are thought of in this way, we may suppose that they are in a particular series, but not that they happened to any particular person.
19. 6. René Descartes, Meditations on First Philosophy (1641), trans. Donald A. Cress (Indianapolis: Hackett, 1980), 68. 7. Sartre, “Existentialism,” 37–38. 8. , 22. Sartre is quoting Dostoyevsky. John Locke, Personal Identity, and Memento Basil Smith In his Essay concerning Human Understanding, John Locke famously o ers an explanation of personal identity. 1 Christopher Nolan’s Memento (2000) tests this theory of personal identity. In the ﬁlm, Leonard Shelby (Guy Pearce), an insurance investigator from San Francisco, su ers shortterm memory loss as a result of an assault on his wife, Catherine (Jorja Fox), and himself.