By Agatha Christie

The Queen of poser has come to Harper Collins! Agatha Christie, the stated mistress of suspense—creator of indomitable sleuth leave out Marple, meticulous Belgian detective Hercule Poirot, and such a lot of different unforgettable characters—brings her complete oeuvre of creative whodunits, locked room mysteries, and confusing puzzles to Harper Paperbacks…including Murder at the Orient Express, the main recognized Hercule Poirot secret, which has the bright detective looking for a killer aboard one of many world’s most opulent passenger trains.

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Additional resources for Murder on the Orient Express (Hercule Poirot, Book 10)

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Alter the ingredients to a beadle and a workhouse – the scenes may be the same, but the whole flavour of vice will be lost, and the boy will turn out a perfect pattern. 28 As already noted, one of the most concerted attacks in this phase of the Newgate controversy came from Thackeray, whose Catherine: A Story was written specifically – according to the advertisement that accompanied volume publication – ‘to counteract the injurious influence of some popular fictions of that day, which made heroes of highwaymen and burglars, and created a false sympathy for the vicious and criminal’.

35 These ranged from notorious murder trials such as 32 The Newgate novel and sensation fiction, 1830–1868 the Road Murder (1860), in which the sixteen-year-old Constance Kent was acquitted of the bloody murder of her four-year-old brother, and the 1857 trial of Madeline Smith, who was accused of killing her lover by putting arsenic in his cocoa, to the Yelverton bigamy-divorce trial which drew attention to marital irregularities and the chaotic state of the marriage laws. The changing state of upper and middle-class marriage was also highlighted by the reporting of the proceedings of the new Divorce Court, created after the passing of the Matrimonial Causes Act of 1857.

The essential characteristic of this age and land is publicity. There exists a press which bares at once to the universal eye every example of guilt that comes before a legal tribunal. In these very newspapers which would forbid a romance writer to depict crime with all that he can suggest to demonstrate its causes, portray its hideousness, insist on its inevitable doom . . the meanest secrets of the prison-house are explored. 34 In the 1860s the sensation novel and the sensation debate were also closely intertwined with developments in the newspaper press.

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