By Franklin W. Dixon
Terror has many faces -- all deadly.
An anti-terror conference in Washington D.C. is rocked via a real-life hijacker -- and Frank Hardy's female friend, Callie Shaw, is without doubt one of the hostages. whilst Callie appears to be like at the television information she sends the Hardy's a coded message. hassle is, the govt doesn't think them.
Agent O'Neill orders Frank and Joe off the case, forcing them to attempt a rescue on their lonesome. unexpectedly the brother sleuths are operating from the legislations, directly right into a terrorist catch -- whereas Callie watches her existence tick away.
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Additional resources for Hostages of Hate (The Hardy Boys Casefiles, Book 10)
Is is the person who lived with his wife but whose series of conscious memories halted soon a er the assault. Leonard 2a su ers a kind of death when his entire set of memories is infected, is fused with that of another person. In point of fact, there is no way to ascertain the details of this fusion, either from the inside or from the outside, or to decide which of his present memories are true and which false. But this is not really death, for some person seems to survive. Leonard 2b comes into being at this point.
In other words, memories seem to be united in a series only because most of them really happened to the same person. 6 But, given this possibility, it is more plausible to say that personal identity is constituted by the “thinking substance” (a mind or soul) and is not a matter of conscious memories at all. is objection too is less than decisive. Derek Parﬁt, a contemporary philosopher, notes that it assumes that the conscious memories in any series really did happen to the same person. 7 If conscious memories are thought of in this way, we may suppose that they are in a particular series, but not that they happened to any particular person.
19. 6. René Descartes, Meditations on First Philosophy (1641), trans. Donald A. Cress (Indianapolis: Hackett, 1980), 68. 7. Sartre, “Existentialism,” 37–38. 8. , 22. Sartre is quoting Dostoyevsky. John Locke, Personal Identity, and Memento Basil Smith In his Essay concerning Human Understanding, John Locke famously o ers an explanation of personal identity. 1 Christopher Nolan’s Memento (2000) tests this theory of personal identity. In the ﬁlm, Leonard Shelby (Guy Pearce), an insurance investigator from San Francisco, su ers shortterm memory loss as a result of an assault on his wife, Catherine (Jorja Fox), and himself.