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But this we might take as a piece of protective mimicry to ward off the multitude, to preserve it in its seclusion as the rarest of the arts. We have to a certain extent been taken in by the jargon, and taken it for an end in itself, a science; but at last we have won through, and found it to be but part of an art. It is a case something like the old Oriental mysteries; in the lower orders of priesthood all the ritual was taken literally. But when you had penetrated to the inner circle, through all the different kinds of magical formula and mysteries, the final secret turned out to be some perfectly plain human statement.

I was curious to test the James theory. I wondered how it would work out. I had not long to wait for the first conclusive test. On the way to Italy I stopped two days at Dieppe with Jules de Gaultier, about 22 NOTES ON THE BOLOGNA CONGRESS whom I have already written a little in this Review. It was a test under most favourable circumstances. Generally in discussing metaphysic one is, apropos of the other man's point, immediately "reminded" of something of one's own which one wants to drag out, and so one never passes outside the limits of one's first concept.

Lining certain streets were troops with their red pistacchios flicked about by the wind, and behind them a mass of people ten deep, all in their characteristic toga cloaks, with one end thrown over the shoulder. When I say mass of people I ought to correct myself. It was not a crowd in the ordinary meaning of the term, but rather a garden city kind of crowd, for surrounding each man 24 NOTES ON THE BOLOGNA CONGRESS was the large space occupied by his cloak. The more I think of that crowd, the more I admire it.

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